Monday, 13 August 2012

Gold medal performance for the TruColor HS at the Olympics


With the BBC News and weather broadcasting from the Olympics for over two weeks, lighting the temporary sets was a challenging job for lighting chief John Dowzell. With the use of the TruColor HS, the news and weather were lit in the best possible way and in a very limited space.

Contact the LCA team for more details on the TruColor HS

TruColor HS poised for action
TruColor HS with the Olympic Park in the background
TruColor set up in the studio
Weather girl, Laura Tobin, lit by the TruColor HS
Looking back at the TruColor HS in action
Laura Tobin, John Dowzell & 
Lynda Hanlon (BBC weather producer) 
Mark Thronton, John Dowzell and Suzanne Sanders 
from Goleudy lighting rental 

Wednesday, 8 August 2012

New light shows its TruColor in the UK

After extensive use in the USA and with resounding success, Production Resource Groups, TruColor HS lighting system for film and television production is now available to buy at LCA.

TruColor HS uniquely represents the next generation of professional lighting tools with an incredibly accurate, vivid color rendering across the visible spectrum. Equally impressive is the volume of light produced, with nearly twice as much output as a 2K soft source with no substantial heat, no flicker and no noise.

Bob Finley (Gaffer: MIB3, The Matrix Revolutions, Spider-Man 3) commented, "The HS light has performed very well on set. We have found it to be a very versatile piece of lighting equipment both in night and day interiors. I have been using one now for four weeks -- now I wish I had four fixtures."

Darran Webb, television LD whose portfolio includes X-Factor, American Idol and America's Got Talent had this to say: "From my experience with HS lights so far, these are major improvements on anything that is already out there. The enthusiasm I was getting from the producer and director was very positive."

At the heart of TruColor HS fixtures are custom-formulated ChromaLit™ remote phosphor panels, the result of collaboration between PRG and Intematix, a leading supplier of LED phosphors. The result: accurate and consistent color rendering that has been achieved at a wide range of color temperatures. Light spreads evenly from the HS fixture at nearly 160ยบ with a single soft shadow. The TruColor HS can output up to 100 fc at 10 feet, providing an unprecedented 25,000 lumens while consuming less than 450 watts.

For more information or to purchase your TrColor HS call us on +44 (0)20 88337600 or email sales@lcauk.com.

Visit our new website at www.lcauk.com

TruColor HS given rave review by leading DoP

Leading the way in the latest phosphorous technology, the TruColor HS is an ideal light for film and TV - as John de Borman BSC testifies on his latest movie.

"What a fabulous light the TruColor HS is . I have just been working with it in Africa on a film called ‘Half of a yellow sun’. The most impressive thing about it is how small it is against the output you get . It’s like having 1.2K HMI but smaller than the size of a 2ft 4bank kinoflo! So perfect for travelling . It is soft and directional with the egg crate provided. What was so surprising is that against the harsh Nigerian sun it worked very well in car interiors when we put it on the bonnet mount and even on exteriors to lift the very dark complexions of the Nigerians . It is a very versatile light converts easily from tungsten to daylight and has it’s own dimmer that doesn’t effect the colour temperature . Doesn’t need a lot of power and for us ideal as we were shooting a lot in small rooms on location and was able to use it to continue the daylight through the window so that it would subtly send the light further into the room. It could be hidden easily and doesn’t seem to heat up so great in the searing heat of Africa.
I was very impressed with it and could see lots of other possibilities ....you could for instance have a bank of them side by side and create a pretty big and powerful soft single source light without it taking lots of power or room. I’ll have to try that on my next film... Anyway a great piece of kit to have when you are in a tight spot and needing some soft directional punch out of your light. Well done."
John de Borman BSC